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The Dutch Structuralist architect Aldo van Eyck left his mark in Amsterdam – not only in the form of buildings but also, perhaps surprisingly. One of them is Aldo van Eyck, who designed a large number of public playgrounds for the city of Amsterdam. His playgrounds are something. Explore Sara Angelini’s board “aldo van eyck-playgrounds” on Pinterest. | See more ideas about Architecture, Playground design and Street furniture.

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Moreover, by placing benches at the square, van Eyck created a playgrunds that invited parents or guardians to oversee their children and to gather together. Toward an Ecological Psychology. Your email address will not be published. This site uses Akismet to reduce spam.

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How do we see where we are in the environment? Because the Site Preparation Service of the Department of City Development, working together with local associations, wanted to give every neighbourhood its own playground, they often had to be placed in vacant, derelict sites.

The Cobra group dissolved only three years after it was founded, but Cobra members Constant Nieuwenhuys and Asger Jorn were to re-appear on the stage as co-founders of the Situationist International in Indeed, when a child uses the slide in another way e. William Collins Sons and Co. A study on the gap-crossing affordances of jumping stones.

But again in the absence of any adults hunkering down in one of the small cubes to read-up on play-spaces an unlikely proposition anyway given their size — let alone any kids rushing around and through the structure — the whole installation has a rather forlorn aspect. Inthe Dutch historian Johan Huizinga wrote Homo Ludens 14a book on the historical importance of the element of play in culture; Constant Nieuwenhuys used the idea as the basis for his critique on urbanism.

They can be used in different ways, depending on the game you are playing, and with their simple and abstract forms they stimulate children to use their imagination[…]. One of the most important aspects of the play elements van Eyck designed is that they do not have a designated function: The Situationists took this element of play and developed it into one of their core notions, as Debord would state: Very few means are put into play, reflecting the postwar lack of resources for public works, but also a specific ethics and aesthetic research which characterized a group of architects at the time, an interest in materials used for their specific meaning, or, as synthesized by the French word: Begin typing your search above and press return to search.


There were no sharp boundaries that separated the playground from the rest of the city. Bordering the square were trees and five benches. The second aspect is the modular character of the playgrounds.

A hugely influential Dutch architect and theorist, Aldo Van Eyck conducted a thirty-years-long — research through practice designing hundreds of public playgrounds in Amsterdam while working for the Urban Development Playgrunds. How do we see whether we are moving and, if we are, where we are going?

Though largely disappeared, defunct and forgotten today, plaaygrounds playgrounds represent one of the most emblematic of architectural interventions in a pivotal time: For example, although van Eyck placed his jumping stones sometimes in an irregular pattern or used stones of different heightshe often used identical stones that he placed in ehck figure-eight pattern Figure 2.

The focus on how space could be appropriated, xldo in clear opposition to the prevailing modernist conception of space in architecture, most famously formulated by Giedion in his classic Space, Time and Architecture.

His designs and spaces always seem, given the warmth of his ideas, somewhat barren. NAi Vwn Between andthe architect Aldo van Eyck was involved in designing hundreds of playgrounds in the city of Amsterdam. Arti et Amicitae29— Often a guard was appointed who was responsible for the supervision of the children. This vision was radicalized in the sixties, when the entire city clogged up due to the explosive rise of car traffic, and urban planners introduced a proposal for an extensive network of metro lines and highways to cut through the old fabric of the city.

Although van Eyck stopped working at the public works department after 5 years to become a lecturer in art history and start his own companyhe continued working on his playgrounds.

Also in the City Orphanage, van Eyck created places for different age groups e. To consider the city is to encounter ourselves. End Battle In the Netherlands, modernist urban planning and the growing anti-modernist spirit of revolt were to have a final confrontation in the Nieuwmarkt neighborhood in Amsterdam.

Cultural ReProducers: Ludic Landscapes and Political Parks: Revisiting Aldo Van Eyck in Mexico City

The use, distribution or reproduction in other forums is permitted, provided the original author s or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. The first playground on Bertelmanplein was a test case.


Leave a Reply Cancel reply Your email address will not be published. His well-known sculpture The Kiss offers a case in point.

This seems to suggest that the principles underlying the aesthetic judgments are different when children were to look at objects as in most studies on aesthetics than when they were to play on them.

However, and as mentioned above, Gibson had claimed that nearly every object affords different activities for an individual. Upstairs on the ground floor, the British artist Nils Norman shows a new installation, tailored to the gallery space: Street life and community were stimulated e. An affordance-based description of the environment, on the other hand, is relative to the user and puts the functional significance of the environment center stage. His plan embraced the ideal of functional separation, meaning that housing, work, traffic and recreation where to be functionally separated and integrally planned.

Among these play elements are the above-mentioned sandpit, climbing arch, and tumbling bars that were placed in his first playground. Learn how your comment data is processed. This psychology started from the physicalist assumption that the environment is meaningless, consisting solely of matter in motion.

As Barrada puts it: How do we see what things are good for? Also, in the climbing mountains there are different stepping heights Figure 3.

Düsseldorf: Playtime children! Now!

I have made it up p. The symmetry that characterizes many of his play sculptures might be appealing when only looking at them, but it seems to reduce the attractiveness of the sculptures as elements for play. First, affordances exist by virtue of a relationship between the properties of the environment and the action capabilities of the animal.

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