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Ibert Piece-Solo Flute-Leduc. Piece for Solo Flute was premiered by Marcel Moyse. Comprised of three movements with two contrasting themes. Sheet Music – £ – Jacques Ibert’s Piece pour Flute Seule (Piece for Solo Flute ). Published by Alphonse Leduc. Ibert Piece for Solo Flute. January 3, | Author: Allison Q. Kessinger | Category: N/A Short Description. Ibert.

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Like the Ibert, Bozza uses the cadenza between the B section and the return of the A section in Image to showcase the most technically demanding elements in the work. What is the significance of the duple vs.

This is all but a prelude to the most technically demanding element of the piece, a long progression of rapidly moving minor thirds extending chromatically for 2 octaves. Is there a joke buried in these lines that only Moyse would understand?

What is clear, however, is that there are striking similarities between both of these pieces, structurally as well as and harmonically.

Jacques Ibert – Piece pour Flute Seule

It is difficult to say which piece influenced the other due to discrepancies among scholars regarding publication dates yet both pieces were written for Marcel Moyse. Learn how your comment data is processed. Image features fluute similar cadenza linking the A section to the B section at the top of the 2 nd page, beginning with a fermata placed above a low B sharp.


This is followed by 1 fod of triples and one beat of 4 sixteenth notes:.

Ibert Piece for Solo Flute

Notify me of new comments via email. Was this swirling figure somehow evocative of Moyse? This pattern replays throughout the B section namely in and around the impending Animanto: The similarities between these swirling figures in both pieces are quite eerie.

Fill in your details below or click an icon to log in: Leave a Reply Cancel reply Enter your comment here Bach as does many of the works by Felix Mendelssohn.

Perhaps this was an exercise used at the Paris Conservatoire. After brushing off the years of dust from this piece and woodshedding some of the technical passages, I began fltue hear a clear influence of other works written around this time period.

What is similar, however, is that each section is connected by rhythmically intricate cadenzas. The Introductions of both works are strikingly similar — meandering lines creating fantasy-like imagery using echo effects and rapid lines leading to false climaxes. There are several works throughout the history of Western Music that could be ibsrt imitations of one another.

Rachel Taylor Geier

This of course is ppiece just speculation. Notify me of new posts via email. Clute are commenting using your Facebook account. Perhaps Ibert was trying to set the groundwork for the Image.

Each section is linked together with virtuosic cadenzas exploring the range of the instrument and incorporating extended techniques such as flutter tonging. Welcome to Flute Friday Monday! The faster, technically demanding A sections are enhanced by a slower, more lyrical B section. The same duple vs. This site uses Akismet to reduce spam.


Is this intended to be the voice of Moyse? You are commenting using your WordPress.

Both Ibert and Bozza leave the true musical fireworks in the cadenza sections connecting the B section to the repetition of the A section. In the Ibert, we see grouping of sextuplets followed by septuplets followed by eight 32 nd notes and a grouping of nine 32 nd notes.

Email required Address never sooo public. In the Ibert, such a figure appears at the very beginning of sool piece: In both instances, there are 3 repetitions of this swirling figure, all gaining in intensity with each repetition to lead into the most virtuosic moment of each piece. The monotone rhythm of the line could represent a monotone voice speaking musical knowledge without the use of words.

This is followed by 1 beat of triples and one beat of 4 sixteenth notes: Is there a sentence or a phrase known only to the composer that is created using these rhythmic syllables? They say that imitation is the finest form of flattery.